A timely, counterintuitive defense of Wall Street and the big banks as the invisible - albeit flawed - engines that power our ideas and should be made to work better for all of us. Maybe you think the banks should be broken up and the bankers should be held accountable for the financial crisis in 2008. Maybe you hate the greed of Wall Street but know that it´s important to the proper functioning of the world economy. Maybe you don´t really understand Wall Street, and phrases such as credit default swap make your eyes glaze over. Maybe you are utterly confused by the fact that after attacking Wall Street mercilessly during his campaign, Donald Trump has surrounded himself with Wall Street veterans. But if you like your smartphone or your widescreen TV, your car or your morning bacon, your pension or your 401(k), then - whether you know it or not - you are a fan of Wall Street. William D. Cohan is no knee-jerk advocate for Wall Street and the big banks. He´s one of America´s most respected financial journalists and the progressive best-selling author of House of Cards. He has long been critical of the bad behavior that plagued much of Wall Street in the years leading up to the 2008 financial crisis, and because he spent 17 years as an investment banker on Wall Street, he is an expert on its inner workings as well. But in recent years he´s become alarmed by the cheap shots and ceaseless vitriol directed at Wall Street´s bankers, traders, and executives - the people whose job it is to provide capital to those who need it, the grease that keeps our economy humming. In this brisk, no-nonsense narrative, Cohan reminds us of the good these institutions do - and the dire consequences for us all if the essential role they play in making our lives better is carelessly curtailed. 1. Language: English. Narrator: Rob Shapiro. Audio sample: http://samples.audible.de/bk/rand/004973/bk_rand_004973_sample.mp3. Digital audiobook in aax.
André Aciman has been hailed as ´´the most exciting new fiction writer of the 21st century´´ (New York magazine), a ´´brilliant chronicler of the disconnect...between who we are and who we wish we might have been´´ (Wall Street Journal), and a writer of ´´fiction at its most supremely interesting´´ (Colm Tóibín). Now, with his third and most ambitious novel, Aciman delivers an elegant and powerful tale of the wages of assimilation - a moving story of an immigrant’s remembered youth and the nearly forgotten costs and sacrifices of becoming an American. It’s the fall of 1977, and amid the lovely, leafy streets of Cambridge a young Harvard graduate student, a Jew from Egypt, longs more than anything to become an assimilated American and a professor of literature. He spends his days in a pleasant blur of 17th-century fiction, but when he meets a brash, charismatic Arab cab driver in a Harvard Square café, everything changes. Nicknamed Kalashnikov - Kalaj for short - for his machine-gun vitriol, the cab driver roars into the student’s life with his denunciations of the American obsession with ´´all things jumbo and ersatz´´ - Twinkies, monster television sets, all-you-can-eat buffets - and his outrageous declarations on love and the art of seduction. The student finds it hard to resist his new friend’s magnetism, and before long he begins to neglect his studies and live a double life: one in the rarefied world of Harvard, the other as an exile with Kalaj on the streets of Cambridge. Together they carouse the bars and cafés around Harvard Square, trade intimate accounts of their love affairs, argue about the American dream, and skinny-dip in Walden Pond. But as final exams loom and Kalaj has his license revoked and is threatened with deportation, the student faces the decision of his life: whether to cling to his dream of New-World assimilation or risk it all to defend his Old-World friend. Harvard Square is a sexually cha... 1. Language: English. Narrator: Sanjiv Jhaveri. Audio sample: http://samples.audible.de/bk/brll/004850/bk_brll_004850_sample.mp3. Digital audiobook in aax.
What Makes Sammy Run? Everyone of us knows someone who runs. He is one of the symp-toms of our times--from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run? This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York´s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic--his congenital incapacity for friendship. An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening. When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick´s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. Tothis group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation The classic book that shaped two generations´ view of the movie business and introduced the is the archetypal Hollywood player Sammy Glick. He´s got a machete mouth and a genius for double-cross. As Budd Shulberg-author of the screenplay On the Waterfront-follows Sammy´s relentless upward progress, he creates a virtuoso study in character that manages to be hilariously appalling yet deeply compassionate. ´´Sammy Glick remains at the top of the Hollywood sleaze heap, a hustler nonpareil?. What Makes Sammy Run? Is still the quintessential novel about ´´the all-American heel.´´´ - Moredcai Richler, GQ