From New York Times best-selling author, ´´one of America´s top cultural critics´´ (Entertainment Weekly), and ´´The Ethicist´´ for The New York Times Magazine, comes a new book of all original pieces on villains and villainy. Chuck Klosterman has walked into the darkness. As a boy, he related to the cultural figures who represented goodness - but as an adult, he found himself unconsciously aligning with their enemies. This was not because he necessarily liked what they were doing; it was because they were doing it on purpose (and they were doing it better). They wanted to be evil. And what, exactly, was that supposed to mean? When we classify someone as a bad person, what are we really saying (and why are we so obsessed with saying it)? In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the concept of villainy. What was so Machiavellian about Machiavelli? Why don´t we see Batman the same way we see Bernhard Goetz? Who´s more worthy of our vitriol - Bill Clinton or Don Henley? What was O.J. Simpson´s second-worst decision? And why is Klosterman still obsessed with some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero (seemingly the only kind of hero America still creates). I Wear the Black Hat is the rare example of serious criticism that´s instantly accessible and really, really funny. Klosterman is the only writer doing whatever it is he´s doing. 1. Language: English. Narrator: Chuck Klosterman. Audio sample: http://samples.audible.de/bk/sans/006377/bk_sans_006377_sample.mp3. Digital audiobook in aax.
What Makes Sammy Run? Everyone of us knows someone who runs. He is one of the symp-toms of our times--from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run? This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York´s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic--his congenital incapacity for friendship. An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening. When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick´s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. Tothis group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation The classic book that shaped two generations´ view of the movie business and introduced the is the archetypal Hollywood player Sammy Glick. He´s got a machete mouth and a genius for double-cross. As Budd Shulberg-author of the screenplay On the Waterfront-follows Sammy´s relentless upward progress, he creates a virtuoso study in character that manages to be hilariously appalling yet deeply compassionate. ´´Sammy Glick remains at the top of the Hollywood sleaze heap, a hustler nonpareil?. What Makes Sammy Run? Is still the quintessential novel about ´´the all-American heel.´´´ - Moredcai Richler, GQ
In the wake of tragic shootings in Newtown and Aurora, the anti-gun lobby has launched a campaign of lies, distortion, misrepresentation, and emotional manipulation that is breathtaking in its vitriol and its denial of basic facts. Their goal is to take away our Second Amendment rights and then disarm law-abiding Americans. Emily Miller tells her personal story of how being a single, female victim of a home invasion drove her to try to obtain a legally registered gun in Washington, D.C. The narrative - sometimes shocking, other times hilarious in its absurdity - gives the listener a real-life understanding of how gun-control laws only make it more difficult for honest, law-abiding people to get guns, while violent crime continues to rise. Using facts and newly uncovered research, Miller exposes the schemes politicians on Capitol Hill, in the White House, and around the country are using to deny people their Second Amendment rights. She exposes the myths that gun grabbers and liberal media use to get new laws passed that infringe on our right to keep and bear arms. The gun rights debate isn´t just about firearms. It´s about protecting a fundamental right that is enshrined in the U.S. Constitution. It´s about politicians who lie, manipulate, and outright break existing laws to get what they want. It´s about President Obama wanting a bigger federal government to control you. Not just your guns - you. The fight for gun rights is the fight for freedom. Emily Miller says stand up and fight back now because your Second Amendment will only be the first to go. 1. Language: English. Narrator: Carla Mercer-Meyer. Audio sample: http://samples.audible.de/bk/tant/003246/bk_tant_003246_sample.mp3. Digital audiobook in aax.