Craig and Cate are wealthy, smart, driven business professionals who have their idyllic world shattered and turned upside down. Their two children are killed during a hate crime. They are devastated and consumed by grief. After the killers are set free, the two take matters into their own hands. They embark on a calculated quest to avenge their children while finding out who was really behind the shooting. Unsatisfied with their revenge taken, Craig and Cate plan the destruction of the neo-Nazi organization that sponsored and planned the shooting. They hire a retired expert to teach them the skills they need to carry out their dangerous plan. All the while, the FBI is one step behind them, putting the pieces of the puzzle together, trying to figure out who is behind these high-profile shootings and why. The pair’s exploits become a catalyst, sparking a national debate about free speech versus hate speech. 1. Language: English. Narrator: Tim Snook. Audio sample: http://samples.audible.de/bk/acx0/122856/bk_acx0_122856_sample.mp3. Digital audiobook in aax.
Marc Basset, restaurant critic for a national newspaper, has made vitriol his trademark. His vivid cruelty makes his many readers laugh - until a chef roasts himself to death in his bread oven, leaving Bassett’s review of his restaurant stuck to the door. When Marc learns of the chef’s suicide, he experiences a new sensation - remorse. By apologising to the wife and daughter, he begins to experience levels of self-satisfaction that he never thought possible. 1. Language: English. Narrator: Jay Rayner. Audio sample: http://samples.audible.de/bk/howe/002292/bk_howe_002292_sample.mp3. Digital audiobook in aax.
When George Yancy penned a New York Times op-ed entitled ´´Dear White America” asking white Americans to confront the ways that they benefit from racism, he knew his article would be controversial. But he was unprepared for the flood of vitriol in response. The resulting blowback played out in the national media, with critics attacking Yancy in every form possible - including death threats - and supporters rallying to his side. Despite the rhetoric of a ´´post-race” America, Yancy quickly discovered that racism is still alive, crude, and vicious in its expression. In Backlash, Yancy expands upon the original article and chronicles the ensuing controversy as he seeks to understand what it was about the op-ed that created so much rage among so many white readers. He challenges white Americans to rise above the vitriol and to develop a new empathy for the African American experience. 1. Language: English. Narrator: George Yancy. Audio sample: http://samples.audible.de/bk/acx0/122390/bk_acx0_122390_sample.mp3. Digital audiobook in aax.
What Makes Sammy Run? Everyone of us knows someone who runs. He is one of the symp-toms of our times--from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run? This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York´s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic--his congenital incapacity for friendship. An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening. When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick´s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. Tothis group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation The classic book that shaped two generations´ view of the movie business and introduced the is the archetypal Hollywood player Sammy Glick. He´s got a machete mouth and a genius for double-cross. As Budd Shulberg-author of the screenplay On the Waterfront-follows Sammy´s relentless upward progress, he creates a virtuoso study in character that manages to be hilariously appalling yet deeply compassionate. ´´Sammy Glick remains at the top of the Hollywood sleaze heap, a hustler nonpareil?. What Makes Sammy Run? Is still the quintessential novel about ´´the all-American heel.´´´ - Moredcai Richler, GQ
´´What have you done for Ireland? How have you answered the Call? Are you pleased with the part you’re playing in the job that demands us all? Have you changed the tweed for the khaki to serve with rank and file, as your comrades are gladly serving, or isn’t it worth your while?” – An extract from a World War I recruitment poster There are very few national relationships quite as complicated and enigmatic as the one that exists between the English and the Irish. For two peoples so interconnected by geography and history, the depth of animosity that is often expressed is difficult at times to understand. At the same time, historic links of family and clan, and common Gaelic roots, have at times fostered a degree of mutual regard, interdependence, and cooperation that is also occasionally hard to fathom. During World War I, for example, Ireland fought for the British Empire as part of that empire, and the Irish response to the call to arms was at times just as enthusiastic as that of other British dominions such as Canada, Australia, and New Zealand. And yet, at the same time, plots were unearthed to cooperate with the Germans in toppling British rule in Ireland, which would have virtually ensured an Allied defeat. In World War II, despite Irish neutrality, 12,000 Irish soldiers volunteered to join the Khaki line, returning after the war to the scorn and vitriol of a great many of their more radical countrymen. One of the most bitter and divisive struggles in the history of the British Isles, and in the history of the British Empire, played out over the question of Home Rule and Irish independence, and then later still as the British province of Northern Ireland grappled within itself for the right to secede from the United Kingdom or the right to remain. 1. Language: English. Narrator: Colin Fluxman. Audio sample: http://samples.audible.de/bk/acx0/114932/bk_acx0_114932_sample.mp3. Digital audiobook in aax.
National Bestseller A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer, standing on the summit of Mt. Everest, saw nothing that ´´suggested that a murderous storm was bearing down.´´ He was wrong. The storm, which claimed five lives and left countless more--including Krakauer´s--in guilt-ridden disarray, would also provide the impetus for Into Thin Air, Krakauer´s epic account of the May 1996 disaster. By writing Into Thin Air, Krakauer may have hoped to exorcise some of his own demons and lay to rest some of the painful questions that still surround the event. He takes great pains to provide a balanced picture of the people and events he witnessed and gives due credit to the tireless and dedicated Sherpas. He also avoids blasting easy targets such as Sandy Pittman, the wealthy socialite who brought an espresso maker along on the expedition. Krakauer´s highly personal inquiry into the catastrophe provides a great deal of insight into what went wrong. But for Krakauer himself, further interviews and investigations only lead him to the conclusion that his perceived failures were directly responsible for a fellow climber´s death. Clearly, Krakauer remains haunted by the disaster, and although he relates a number of incidents in which he acted selflessly and even heroically, he seems unable to view those instances objectively. In the end, despite his evenhanded and even generous assessment of others´ actions, he reserves a full measure of vitriol for himself. This updated trade paperback edition of Into Thin Air includes an extensive new postscript that sheds fascinating light on the acrimonious debate that flared between Krakauer and Everest guide Anatoli Boukreev in the wake of the tragedy. ´´I have no doubt that Boukreev´s intentions were good on summit day,´´ writes Krakauer in the postscript, dated August 1999. ´´What disturbs me, though, was Boukreev´s refusal to acknowledge the possibility that he made even a single poor decision. Never did he indicate that perhaps it wasn´t the best choice to climb without gas or go down ahead of his clients.´´ As usual, Krakauer supports his points with dogged research and a good dose of humility. But rather than continue the heated discourse that has raged since Into Thin Air´s denouncement of guide Boukreev, Krakauer´s tone is conciliatory; he points most of his criticism at G. Weston De Walt, who coauthored The Climb, Boukreev´s version of events. And in a touching conclusion, Krakauer recounts his last conversation with the late Boukreev, in which the two weathered climbers agreed to disagree about certain points. Krakauer had great hopes to patch things up with Boukreev, but the Russian later died in an avalanche on another Himalayan peak, Annapurna I. In 1999, Krakauer received an Academy Award in Literature from the American Academy of Arts and Letters--a prestigious prize intended ´´to honor writers of exceptional accomplishment.´´ According to the Academy´s citation, ´´Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer. His account of an ascent of Mount Everest has led to a general reevaluation of climbing and of the commercialization of what was once a romantic, solitary sport; while his account of the life and death of Christopher McCandless, who died of starvation after challenging the Alaskan wilderness, delves even more deeply and disturbingly into the fascination of nature and the devastating effects of its lure on a young and curious mind.´´