Erscheinungsdatum: 08.08.2019, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Traité De Chimie Appliquée Aux Arts Et Métiers, Et Principalement À La Fabrication Des Acides Sufurique, Nitrique, Muriatique Ou Hydrchlorique, De La Soude, De L'ammoniaque, Du Ciabre, Minium, Céruse, Alun, Couperose, Vitriol, Verdet, Verlag: HardPress Publishing, Sprache: Französisch, Schlagworte: HISTORY // General, Rubrik: Geschichte, Seiten: 1174, Informationen: Paperback, Gewicht: 1658 gr, Verkäufer: averdo
In the wake of tragic shootings in Newtown and Aurora, the anti-gun lobby has launched a campaign of lies, distortion, misrepresentation, and emotional manipulation that is breathtaking in its vitriol and its denial of basic facts. Their goal is to take away our Second Amendment rights and then disarm law-abiding Americans. Emily Miller tells her personal story of how being a single, female victim of a home invasion drove her to try to obtain a legally registered gun in Washington, D.C. The narrative - sometimes shocking, other times hilarious in its absurdity - gives the listener a real-life understanding of how gun-control laws only make it more difficult for honest, law-abiding people to get guns, while violent crime continues to rise. Using facts and newly uncovered research, Miller exposes the schemes politicians on Capitol Hill, in the White House, and around the country are using to deny people their Second Amendment rights. She exposes the myths that gun grabbers and liberal media use to get new laws passed that infringe on our right to keep and bear arms. The gun rights debate isn't just about firearms. It's about protecting a fundamental right that is enshrined in the U.S. Constitution. It's about politicians who lie, manipulate, and outright break existing laws to get what they want. It's about President Obama wanting a bigger federal government to control you. Not just your guns - you. The fight for gun rights is the fight for freedom. Emily Miller says stand up and fight back now because your Second Amendment will only be the first to go. 1. Language: English. Narrator: Carla Mercer-Meyer. Audio sample: http://samples.audible.de/bk/tant/003246/bk_tant_003246_sample.mp3. Digital audiobook in aax.
Washington Post columnist Dana Milbank takes a fair and balanced look at the unsettling rise of the silly Fox News host Glenn Beck. Thomas Jefferson famously wrote that the tree of Liberty must be refreshed from time to time with the blood of patriots and tyrants. It is its natural manure. In America in 2010, Glenn Beck provides the very refreshment Jefferson had in mind: Whether hes the patriot or the tyrant, he's definitely full of manure. The wildly popular Fox News host with three million daily viewers perfectly captures the vitriol of our time and the fact-free state of our political culture. The secret to his success is his willingness to traffic in the fringe conspiracies and Internet hearsay that others wouldnt touch with a ten-foot pole: death panels, government health insurance for dogs, FEMA concentration camps, an Obama security force like Hitlers SS. But Beck, who is, according to a recent Gallup poll, admired by more Americans than the Pope, has nothing in his background that identifies him as an ideologue, giving rise to the speculation that his right-wing shtick is just thatthe act of a brilliant showman, known for both his over-the-top daily outrages and for weeping on the air. Milbank describes, with lacerating wit, just how the former shock jock without a college degree has managed to become the most recognizable leader of antigovernment conservatives and exposes him as the guy who is single-handedly giving patriotism a bad name. 1. Language: English. Narrator: Oliver Wyman. Audio sample: http://samples.audible.de/bk/adbl/002610/bk_adbl_002610_sample.mp3. Digital audiobook in aax.
What Makes Sammy Run? Everyone of us knows someone who runs. He is one of the symp-toms of our times--from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run? This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York's East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic--his congenital incapacity for friendship. An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening. When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick's real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. Tothis group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operationThe classic book that shaped two generations' view of the movie business and introduced the is the archetypal Hollywood player Sammy Glick. He's got a machete mouth and a genius for double-cross. As Budd Shulberg-author of the screenplay On the Waterfront-follows Sammy's relentless upward progress, he creates a virtuoso study in character that manages to be hilariously appalling yet deeply compassionate. "Sammy Glick remains at the top of the Hollywood sleaze heap, a hustler nonpareil…. What Makes Sammy Run? Is still the quintessential novel about "the all-American heel.'" - Moredcai Richler, GQ
Arguing about Empire analyses the most divisive arguments about empire between Europe's two leading colonial powers from the age of high imperialism to the post-war era of decolonization. Focusing on the domestic contexts underlying imperial rhetoric, Arguing about Empire adopts a case-study approach, treating key imperial debates as historical episodes to be investigated in depth. The episodes in question have been selected both for their chronological range, their variety, and, above all, their vitriol. Some were straightforward disputes; others involved cooperation in tense circumstances. These include the Tunisian and Egyptian crises of 1881-2, which saw France and Britain establish new North African protectorates, ostensibly in co-operation, but actually in competition; the Fashoda Crisis of 1898, when Britain and France came to the brink of war in the aftermath of the British re-conquest of Sudan; the Moroccan crises of 1905 and 1911, early tests of the Entente Cordiale, when Britain lent support to France in the face of German threats; the 1922 Chanak crisis, when that imperial Entente broke down in the face of a threatened attack on Franco-British forces by Kemalist Turkey; World War Two, which can be seen in part as an undeclared colonial war between the former allies, complicated by the division of the French Empire between De Gaulle's Free French forces and those who remained loyal to the Vichy Regime; and finally the 1956 Suez intervention, when, far from defusing another imperial crisis, Britain colluded with France and Israel to invade Egypt - the culmination of the imperial interference that began some eighty years earlier.
Vicky Beeching, called “arguably the most influential Christian of her generation” in The Guardian, began writing songs for the church in her teens. By the time she reached her early thirties, Vicky was a household name in churches on both sides of the pond. Recording multiple albums and singing in America’s largest megachurches, her music was used weekly around the globe and translated into numerous languages. But this poster girl for evangelical Christianity lived with a debilitating inner battle: she was gay. The tens of thousands of traditional Christians she sang in front of were unanimous in their view - they staunchly opposed same-sex relationships and saw homosexuality as a grievous sin. Vicky knew if she ever spoke up about her identity it would cost her everything. Faced with a major health crisis, at the age of 35 she decided to tell the world that she was gay. As a result, all hell broke loose. She lost her music career and livelihood, faced threats and vitriol from traditionalists, developed further health issues from the immense stress, and had to rebuild her life almost from scratch. But despite losing so much she gained far more: she was finally able to live from a place of wholeness, vulnerability, and authenticity. She finally found peace. What’s more, Vicky became a champion for others, fighting for LGBT equality in the church and in the corporate sector. Her courageous work is creating change in the US and the UK, as she urges people to celebrate diversity, live authentically, and become undivided. 1. Language: English. Narrator: Billie Fulford-Brown. Audio sample: http://samples.audible.de/bk/harp/007512/bk_harp_007512_sample.mp3. Digital audiobook in aax.
Michael Medved is an orthodox Jew whose popular radio show is a favorite with evangelical Christians. As a nationally syndicated movie reviewer he made headlines with a controversial book titled Hollywood vs. America. He is a fervent and committed conservative who once worked 18-hour days in Bobby Kennedy's presidential campaign. And he counts among his friends both Rush Limbaugh and Hillary Clinton. He is a unique man, with a unique story to tell. In Right Turns, Medved recounts his incredible journey from secularism to religion, from adventurous single man to devoted and doting husband and father, from gloomy critic of "our sick society" to optimistic and impassioned promoter of American patriotism. With conviction but without vitriol, he relates his sometimes painful but ultimately illuminating process of maturation. Right Turns is a candid, often funny, thoroughly captivating memoir that says a lot about the interplay of the personal and the political. 1. Language: English. Narrator: Robertson Dean. Audio sample: http://samples.audible.de/bk/bkot/000401/bk_bkot_000401_sample.mp3. Digital audiobook in aax.
Le personnage principal de ce roman, canadien d'origine angolo-congolaise, retourne dans son pays d'origine pour une petite saison mais en part avec des sentiments tres mitiges : tout est a la fois comme avant et different... Ce roman presente une photo instantanee et honnete de ce qu'est devenu le Congo, avec distance, le narrateur brosse au vitriol le portrait de ce pays aux antipodes de ce qu'il fut...
“If you strike us down now we shall rise again and renew the fight. You cannot conquer Ireland; you cannot extinguish the Irish passion for freedom. If our deed has not been sufficient to win freedom then our children will win it by a better deed.” -Patrick PearseThere are very few national relationships quite as complicated and enigmatic as the one that exists between the English and the Irish. For two peoples so interconnected by geography and history, the depth of animosity that is often expressed is difficult at times to understand. At the same time, historic links of family and clan, and common Gaelic roots, have at times fostered a degree of mutual regard, interdependence, and cooperation that is also occasionally hard to fathom.During World War I, for example, Ireland fought for the British Empire as part of that empire, and the Irish response to the call to arms was at times just as enthusiastic as that of other British dominions such as Canada, Australia, and New Zealand. And yet, at the same time, plots were unearthed to cooperate with the Germans in toppling British rule in Ireland, which would have virtually ensured an Allied defeat. In World War II, despite Irish neutrality, 12,000 Irish soldiers volunteered to join the Khaki line, returning after the war to the scorn and vitriol of a great many of their more radical countrymen. One of the most bitter and divisive struggles in the history of the British Isles, and in the history of the British Empire, played out over the question of Home Rule and Irish independence, and then later still as the British province of Northern Ireland grappled within itself for the right to secede from the United Kingdom or the right to remain. What is it within this complicated relationship that has kept this strange duality of mutual love and hate at play? A rendition of “Danny Boy” has the power to reduce both Irishmen and Englishmen to tears, and yet they have torn at one another in a vio 1. Language: English. Narrator: Colin Fluxman. Audio sample: http://samples.audible.de/bk/acx0/137352/bk_acx0_137352_sample.mp3. Digital audiobook in aax.
For over two decades, the art of the interview was very nearly the sole province of Rex Reed, the Master of the Celebrity Profile. While still in his twenties Rex Reed became the widely-syndicated film critic for The New York Observer and from that vantage point began to interview everyone in the film and theater worlds who mattered. In Do You Sleep in the Nude?, the first of his four best-selling celebrity profile collections, he captures the ego and zany personality of soon-to-be-superstar Barbra Streisand, the elusive Warren Beatty just finishing Bonnie and Clyde, the last ever interview with legend Buster Keaton, and a classic and much reprinted portrait of Ava Gardner in her waning years. Writer Tom Wolfe has said about Reed: 'Rex Reed...raised the celebrity interview to a new level through his frankness and his eye for social detail. He has also been a master at capturing a story line in the interview situation itself.' Along with Wolfe, Truman Capote, Kenneth Tynan, and Harry Crews, Rex Reed achieved a literary reputation for a genre, the celebrity profile, once relegated to gossip journalists who as often as not wrote studio-approved fantasies of the lives of the stars. Devault-Graves Digital Editions has reissued Rex Reed's quartet of best-selling profile anthologies: Do You Sleep In the Nude?, Conversations in the Raw, Valentines & Vitriol, and People Are Crazy Here. Virtually anyone who was anyone during the 1960s, '70s, and early '80s in the movie and theater world are captured for the ages in these books. When asked why he no longer writes celebrity profiles, Mr. Reed answered simply: 'The movie stars of today are no longer interesting.' But when they were, Rex Reed was there to file them away for history. It is to the reader's pleasure to rediscover them. Included in Do You Sleep in the Nude? are profiles of: Barbra Streisand, Warren Beatty, Carson McCullers, Lucille Ball, Ava Gardner, Lotte Lenya, Michaelangelo Antonioni, James Mason, Bill Cosby, Marlene Dietrich, and many more.
De 1887 à 1910, Jules Renard tînt recueil de ses pensées, faites de portraits au vitriol sur la littérature, le monde des salons parisiens, les femmes et la politique. Ce journal constitue une source précieuse de renseignements sur la vie politique, littéraire et mondaine de cette époque. Le pain de ménage est une pièce en un acte, faite de dialogues badins et savoureux sur la vie quotidienne d'un couple, le mariage, l'adultère, l'usure du temps... Le Journal de Jules Renard, adaptation de Robert Rocca et Simon Touzié. Avec : René BerthierJean CarmetJacques CathyFrancine DartoisHenri DebainLouis de FunèsMichel MeryDanielle RoccaRobert RoccaPierre StillLe Journal de Jules Renard, extraits dits par Sacha Guitry. Le pain de ménage, pièce en un acte. Avec Valentine Tessier et Jacques Copeau. 1. French. Jean Carmet, Louis de Funès, René Berthier, Jacques Cathy. http://samples.audible.de/pf/edep/000023/pf_edep_000023_sample.mp3.
There are very few national relationships quite as complicated and enigmatic as the one that exists between the English and the Irish. For two peoples so interconnected by geography and history, the depth of animosity that is often expressed is difficult at times to understand. At the same time, historic links of family and clan, and common Gaelic roots, have at times fostered a degree of mutual regard, interdependence, and cooperation that is also occasionally hard to fathom.During World War I, for example, Ireland fought for the British Empire as part of that empire, and the Irish response to the call to arms was at times just as enthusiastic as that of other British dominions such as Canada, Australia, and New Zealand. And yet, at the same time, plots were unearthed to cooperate with the Germans in toppling British rule in Ireland, which would have virtually ensured an Allied defeat. In World War II, despite Irish neutrality, 12,000 Irish soldiers volunteered to join the Khaki line, returning after the war to the scorn and vitriol of a great many of their more radical countrymen. One of the most bitter and divisive struggles in the history of the British Isles, and in the history of the British Empire, played out over the question of Home Rule and Irish independence, and then later still as the British province of Northern Ireland grappled within itself for the right to secede from the United Kingdom or the right to remain. What is it within this complicated relationship that has kept this strange duality of mutual love and hate at play? A rendition of “Danny Boy” has the power to reduce both Irishmen and Englishmen to tears, and yet they have torn at one another in a violent conflict that can be traced to the very dawn of their contact.This history of the British Isles themselves is in part responsible. The fraternal difficulties of two neighbors so closely aligned, but so unequally endowed, can be blamed for much of the trouble. The 1. Language: English. Narrator: Colin Fluxman. Audio sample: http://samples.audible.de/bk/acx0/137433/bk_acx0_137433_sample.mp3. Digital audiobook in aax.